Rachel Breen: The Labor We Wear
The Minnesota Artists Exhibition Program (MAEP) at the Minneapolis Institute of Art (Mia) presents “The Labor We Wear,” an exhibition by artist Rachel Breen.
Update August 26th: Mia Reopening and Virtual Artist Talk
The Mia has reopened and The Labor We Wear is on view in the US Bank gallery.
As part of the exhibition, Breen will give a virtual artist talk about the cycle of garment production in Bangladesh and the consumption of fast fashion—from dangerous factory conditions to problems caused by textile waste. Registration for the virtual talk is required and opens Sept 1st.
About the Exhibition
The Minnesota Artists Exhibition Program (MAEP) at the Minneapolis Institute of Art (Mia) presents “The Labor We Wear,” an exhibition by artist Rachel Breen. On view March 19 through November 1, 2020, the exhibition explores the relationship between the overconsumption of clothing and the dangerous working conditions of garment workers throughout history. Breen utilizes used clothing to create four large-scale installations that make these relationships visible in order to find ways to break the toxic chain.
The centerpiece of “The Labor We Wear” is Breen’s massive work Shroud (2018), an installation consisting of 1,281 white shirts that hang from the gallery ceiling. The work commemorates the lost lives of workers (predominantly women) from two tragedies: the 1911 Triangle Shirtwaist Factory fire in Manhattan, and the 2013 collapse of Rana Plaza factories in Savar, Bangladesh. The shirts have multiple references: the white shrouds used to wrap corpses in Bangladesh and of the Jewish faith, shirtwaists sewn and worn by New York garment workers at the turn of the century, and clothing currently sewn by Bangladesh’s garment workers.
The intersecting installations of three other monumental textile works, The Bottom Line, Collared and Piece Work connects the themes of Shroud with one’s relationship with people making clothes today. For this artwork, Breen deconstructs used shirts to make tangible the piecework of labor. Covering three walls, one from floor to ceiling, the installation of brightly colored shirt “segments” reflects what a typical garment worker in Bangladesh sews during one day’s work.
“Our lives are defined by consumer culture; yet, we are quick to forget the very real environmental and humanitarian impact of our actions,” said Nicole Soukup, Mia’s assistant curator of contemporary art. “Breen reminds us of the invisible labor we wear.”
About the artist
Rachel Breen holds an MFA from the University of Minnesota and an undergraduate degree from The Evergreen State College. She has been a community organizer for social justice organizations throughout the country and is a cofounder of Jewish Community Action in Minnesota. Breen is the recipient of four Minnesota State Arts Board grants, the Walker Art Center’s Open Field fellowship, and the 2019–2020 Jerome Hill Artist Fellowship.
This exhibition is part of the Minnesota Artists Exhibition Program, located in Mia’s U.S. Bank Gallery.
Generous support for MAEP provided by McKnight Foundation. Additional support provided by RBC Wealth Management and anonymous donors.
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