Alien Technology II by Monira Al Qadiri

Alien Technology II by Monira Al Qadiri

Alien Technology II is Kuwaiti artist Monira Al Qadiri’s second large-scale piece about the Gulf’s- and her own family’s- pearl diving past, the massive oil industry that displaced it, and their shared environments, narratives and aesthetics–pearls and oil are two rare, uniquely iridescent materials.
Event Website


On View
Jun 10th - Apr 17th
Reception
Sat Jun 10th 9PM - 5AM CST
The Soap Factory
514 2nd St. SE
Minneapolis ( map )

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The all-night Twin Cities art festival Northern Spark returns once again with the theme of climate change, this year running all along the Green Line. At one end Mizna and The Soap Factory will present a mesmerizing 10-foot-round sculpture by Kuwaiti artist Monira Al Qadiri, who’s featured in Mizna’s recent environment-themed journal issue with a spotlight on her first Alien Technology piece in Dubai.

'Alien Technology' II is a new frontier for Mizna, undertaken locally with fabrication by specialist craftsman Trever Nicholas and a long-term exhibition after the festival at co-presenter and iconic art space The Soap Factory

The project will start out at this year's Northern Spark Arts Festival from June 10th sunset to June 11th sunrise. During the festival the piece will be located at The Commons Park by U.S. Bank Stadium, 425 Portland Ave S, Minneapolis, Mn 55415. After the festival the piece will be relocated outside of The Soap Factory (514 2nd St SE, Minneapolis 55414) until mid to late next year. 

Alien Technology II is Kuwaiti artist Monira Al Qadiri’s second large-scale piece about the Gulf’s- and her own family’s- pearl diving past, the massive oil industry that displaced it, and their shared environments, narratives and aesthetics–pearls and oil are two rare, uniquely iridescent materials. Their physical and geographic overlaps suggest deeper entwinements the artist draws us to explore.

The Gulf pearl industry is invisible to most, a forgotten history after the economic transformation triggered by oil. But for possibly 2,000 years previous, the coastal Gulf economy was largely based on pearls. Pearl diving, trading, even pearl music: culture founded on a coveted resource, like oil.

With entrancing colors and strange appendages, Al Qadiri’s giant shimmering drill bit also evokes bioluminescent marine life, or some futuristic organic machine–alien technology, forged here through a history of pearls, an era of oil, and an environmental future open and unknown.



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